Snabbtest så inte bästa resultatet xD Skulle bara kolla hur man meckar ihop det hela. Kräver lite finslip….
Resultatet inte heller så värst oljemålning. Lite blandning av ditt & datt.


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En annan variant:

In 2009, Kodak announced that production of it’s Kodachrome film (a color slide film develped with the now defunct K-14 process) would cease. Famed photographer Steve McCurry, who often used Kodachrome film in much of his work, asked Kodak to give him the last roll of film off the production line and Kodak kindly agreed.
A video crew from National Geographic followed McCurry around the world on his quest to photograph with the last roll of Kodachrome film and recently released the following documentary (the final roll was actually developed in 2010). The video not only chronicles how McCurry used the last roll of film, but also provides some great advice from a professional photographer.


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A photographer focused on urban streets and cityscapes.

“Recently I’ve really been asking myself one question over and over; why is it that I like the photos that I like? Both in the cases of looking at other people’s work or in my own stuff. After some thought, I’ve come up with the 3 main ingredients that make a street photo good, at least in my opinion. It may be a weird way to put it but bear with me; I have a theory that if one were to craft an algorithm that judges photos, they would like be using some combination of these 3 elements. The 3 ingredients are: Aesthetics, Story and Feeling.”
-Teemu Jarvinen-
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Testpics. 16:9 + LUTs

» FLER PICS




LINKS


How to take Cinematic photos teemu.jpeg

Shooting Cinematic Footage – För video men funkar för foto

8 tips to give your photos an authentic, cinematic feel

The Cinematic Look – How To Make Your Photographs Look Like Films

Getting The Cinematic Street Photography Look

The Cinematic Look – How To Make Your Photographs Look Like Films – F Stoppers

Rules of Shot Composition in Film

Anamorphic photography. – Margaret Kurniawan & Shane Dresch // Adobe


Alex Prager (born November 1, 1979) is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”,often described as film-like and hyperreal.[2] Prager’s growing filmography expands the fictive realities of her still works, touching upon themes of alienation and the pluralism of modern life.

https://www.alexprager.com/